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How to Sidechain in Logic Pro X For Maximum Production.Free Compressor VST Plugins ( UPDATE) - Bedroom Producers Blog |
Sidechain compressor logic pro x free download.How To Use Sidechain Compression in Logic Pro X | Decibel Peak
This is genre-dependant, as some genres will have lower bass and higher kick drums, and vise-versa. The kick and bass playing together create a strange clashing effect, and the kick drum is nearly dwarfed by the bass. To avoid this, we can add in some sidechain compression. Now the kick cuts through loud and clear, and the bass is still front and centre where it needs to be.
Not to mention, when the effect is exaggerated, you get a cool sucking effect, which is prominent in subgenres like big room house, future bass and trap. At this point, it stops being simply a mixing effect and is more of a creative effect. Not every genre will call for instruments to be side-chained to the snare. However, in genres like dubstep or hip-hop where the snare can be quite chunky in the low end, this is a handy tool.
Sidechain compression is already being applied to the bass and keys from the kick:. This sounds great already, but to carry this groove we can apply a subtler sidechain from the kick drum too.
The effect allows the snare transient to pop through, and also moves the mix in an interesting way. But in dense mixes with a lot of midrange synths, pianos and pads , even clean vocals can get a little lost. Applying some gentle sidechain could allow that vocal to remain consistent throughout this section. This will allow the compressor to sound natural.
But sometimes you want the effect without it overpowering other important elements like synths, pianos, guitars or vocals. If you set up reverb or delay on a send, you can carve out space on them by using sidechain from the desired element. The reverb is quite powerful and is a little too noticable with the vocal present in the mix. Using similar settings to the vocal-instrument sidechain setup, we can get a gentle ducking to clean up the mix:. It seems novel due to the exciting sound it has, but sometimes the best thing you can do for your mix is to avoid using sidechain compression.
Ducking might create strange volume movements that actually separate your mix apart rather than glue it together. My recommendation? Use it only as a problem-solving tool, or as a creative tool. There is merit to allowing some instruments to breathe while others receive a bit of ducking.
Important: The results of your settings for the Attack and Release parameters depend not only on the type of source material but on the compression ratio and threshold settings.
The Knee parameter determines whether the signal is slightly, or severely, compressed as it approaches the threshold level. Setting a Knee value close to 0 zero results in no compression of signal levels that fall just below the threshold, while levels at the threshold are compressed by the full Ratio amount.
This is known as hard knee compression , which can cause abrupt and often unwanted transitions as the signal reaches the threshold. Increasing the Knee parameter value increases the amount of compression as the signal approaches the threshold, creating a smoother transition. This is called soft knee compression. As Compressor reduces levels, the overall volume at its output is typically lower than the input signal.
You can adjust the output level with the Make Up knob. While Peak is technically more accurate, RMS provides a better indication of how people perceive the signal loudness.
Sidechaining gives you the ability to let your tracks listen in on each other. Plugins are the key to connecting Sidechains. How do you know if a plugin can Sidechain? Just look in the upper right-hand corner of the plugin window:. In this case the Gate has the option to listen to another track.
Click on the menu, and you can see a list of all the inputs, tracks and busses in your project:. This sucks, because pro mixes rely on a the low end to be both tight and powerful. The thing to remember is that bass notes tend to sustain while kick hits come and go quickly. If the bass can drop in volume each time a kick hits, something magical happens. It can reduce the level of the bass every time the kick hits. Then set the Gate to Ducker:. Then go up to the Sidechain menu, and select your kick track.
From here, all you need to do is adjust the Threshold and Ducking on your Gate while you watch the Open and Close meters:. And what happens is every time the kick hits, your bass will duck in volume. Thus, your kick can now enjoy the space it needs! A very common snare trick is to have a blast of white noise under snare hits. Open a new track and insert the Test Oscillator plugin on it. Open the Test Oscillator and set its mode to White Noise:. Apple Logic Pro.
Steinberg Cubase. Ableton Live. Image-Line FL Studio. Buyer's Guides Essential Guides. Buyer's Guides. Best sample packs of the month: June Best plug-ins to buy in 12 best plug-ins for making lo-fi beats.
Best freeware of the month: June Best speakers to buy in 11 best mini studio monitors. Tutorials Apple Logic Pro. How to sidechain in Logic Pro X. By Mark Cousins. Tags Apple Apple Logic Pro.
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